Steamy ‘Night of the Iguana’ a Multi-Layered Masterpiece

By Lynn Venhaus Managing Editor Desperation hangs thick in the air in Tennessee Williams’ richly detailed “The…

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Actresses Golden in TWF’s ‘A Lovely Sunday for Creve Coeur’

By Connie Bollinger Contributing Writer Set in 1930’s St. Louis, “A Lovely Sunday for Creve Coeur” tells…

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Plays, Panels and Parties Planned for Fourth Annual Tennessee Williams Festival May 9-19

The fourth annual Tennessee Williams Festival will celebrate the great American playwright with 10 days of plays,…

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‘The Night of the Iguana’ will be main stage production at Tennessee Williams Festival

The Tennessee Williams Festival St. Louis – named the “Arts Startup of the Year” for 2019 by…

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SATE’s Lively Cast Excels in ‘Classic Mystery Game’ Farce

By Lynn Venhaus Managing Editor With its grown-up allure, the board game “Clue” was never just child’s…

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Take Ten with Rachel Tibbetts

By Lynn Venhaus Managing Editor So, how does one find inspiration to play Mother Teresa? Rachel Tibbetts…

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Bright Lights Column: Give My Regards to Broadway

Local actor-singer lands national tour, Tony-nominated local playwright ready for another Broadway go-round, managing editor Lynn Venhaus…

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Rebel and Misfits’ ‘The Realistic Joneses’ Not to be Missed

By Bradley Rohlf Contributing Writer “The Realistic Joneses,” produced by Rebel and Misfits Productions, is everything a…

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SATE’s Skillfully Assembled ‘Run-On Sentence’ Alters Perspectives

By Bradley Rohlf Contributing Writer “Run-On Sentence” is a perspective-altering piece, skillfully assembled by Slightly Askew Theatre…

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“Judgment at Nuremberg” Brings Nuance to History

By Bradley Rohlf Contributing Writer “Judgment at Nuremberg” by Abby Mann goes beyond the scope of a…

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